Small batch, big numbers: When fashion marketing meets production reality
In fashion, moments of unintended transparency, a back-end inventory number accidentally exposed, a production document leaked, a “limited” capsule that seems available forever, often illuminate the gap between how brands describe themselves and how they actually operate. These moments are revealing not because they expose wrongdoing, but because they show how elastic marketing language has become. A recent example outside fashion briefly reignited this familiar debate this week: a reported website glitch at Meghan Markle’s lifestyle brand As Ever on January 3rd allegedly surfaced stock figures indicating production runs in the tens of thousands, with at least one product exceeding 100,000 units. Whether these figures reflected total production or live inventory, their circulation sparked a question fashion has long grappled with: what do 'small batch' and 'limited edition' really mean in an industrial context?
1. “Small batch” is almost always relative
In clothing, small batch rarely means small in absolute terms. It means smaller than the brand’s core business. A luxury house producing two million garments a year may consider a 5,000-unit run limited; an independent atelier might call 50 pieces a batch. The descriptor signals positioning, not scale.
The same logic applies when lifestyle or wellness brands adopt artisanal language while operating at national or global distribution levels. Once production crosses into tens of thousands, small batch ceases to describe a method and instead becomes a comparative marketing term.
2. Craft language often survives scale, quietly
Fashion history is full of brands that retain the vocabulary of craft long after processes have industrialised. Words like ‘hand-finished’, ‘heritage’, ‘atelier’ and ‘artisanal’ persist because they communicate values rather than logistics. Importantly, this is not inherently misleading if the brand’s processes still involve quality control, specialised sourcing or differentiated finishing.
Problems arise when consumers interpret these terms literally. Without numeric benchmarks, small batch can feel artisanal while functioning at scale, until data briefly surfaces and disrupts the illusion.
3. Transparency is usually accidental
Few brands proactively disclose production volumes, especially for premium or limited ranges. When numbers become public, it is often through earnings reports, regulatory filings, forced closures or technical errors, not marketing strategy.
That is what made the As Ever discussion notable. According to figures published by the Daily Mail, allegedly revealed through a website bug, individual SKUs ranged from roughly 8,500 units for a sage honey product to over 137,000 units for a fruit spread gift box. Whether these numbers represented warehoused stock or system placeholders was never formally clarified. Still, their publication was enough to trigger scrutiny, not because the quantities were unusual for a consumer brand, but because they collided with the promise of small-batch intimacy.
4. Fashion already normalised this ambiguity
Fashion has long operated in this grey zone. Capsule collections, drops and collaborations are routinely framed as scarce without disclosing scale. Scarcity is implied through timing, distribution or storytelling rather than numbers.
This is especially visible in fast fashion’s premium tiers. Zara’s Limited Edition lines, for example, are positioned as elevated, design-forward capsules distinct from core collections. Yet ‘limited’ is never defined numerically. Inditex, Zara’s parent company, reports producing well over one billion garments annually across its brands. Within that context, a Limited Edition piece may still exist in many thousands of units globally, limited only in relation to Zara’s mass-market baseline, not in absolute terms.
The terminology works because consumers understand it intuitively, even if unconsciously: ‘limited’ does not mean rare, it means ‘rarer than usual’.
5. Lifestyle brands borrow fashion’s playbook, with higher risk
When fashion uses elastic language, consumers are generally fluent in the code. In food, wellness or home categories, expectations differ. ‘Small batch’ implies proximity: fewer hands, local sourcing, human scale. When figures surface that suggest industrial volumes, the emotional contract can feel more fragile.
This is why the As Ever figures resonated. Not because producing tens of thousands of units is inherently contradictory to quality, but because the brand narrative leaned heavily on intimacy, domesticity and everyday elevation. Fashion has trained consumers to accept relative scarcity; lifestyle branding has not always done the same.
6. The real issue is not scale, it’s definition
None of this suggests that As Ever, Zara or any other brand has misrepresented itself in a legal sense. The issue is semantic drift. As brands grow, the words they use stay the same while their meanings stretch.
‘Small batch’, ‘limited edition’ and ‘artisan-made’ are not regulated terms. They rely on trust, context and shared understanding. When that understanding breaks, through leaked numbers, glitches or investigative reporting, it reveals not deception, but ambiguity.
Bottom line: language travels faster than production realities
Fashion learned long ago that consumers buy stories as much as garments. Lifestyle brands entering this territory are discovering the same truth, and the same risks. Scale does not negate quality, but undefined language invites scrutiny.
The lesson is not that brands must stay small to stay credible. It is that as operations scale, definitions matter more. In an era where backend data can surface at any moment, the distance between perception and reality is no longer theoretical. It is measurable, sometimes accidentally, and once seen, cannot be unseen.